![]() ![]() The efficiency of the team meant that they were able to carry out the commissions Raphael had been working on at the time of this death. As the head of the team, he would delegate out work and make sure that the quality matched his standards. Raphael ran a well-oiled machine, which helped him make advances on his most important commissions. As was common practice at the time, his assistants were well trained to take his drawings and transform them into finished pieces in his name. Once Raphael became a master in his own right, he built up a studio of 50 assistants that was quite impressive. (Photo: Wikimedia Commons ) He had a lot of assistants “The Fire in the Borgo” painted by the assistants of Raphael after his drawings. This choice would have a big impact on Raphael’s career-that room is part of what is now collectively called the Raphael Rooms and include the iconic School of Athens. However, he was soon passed over for Raphael, whose style the pope preferred. In fact, Perugino was originally asked by Pope Julius II to paint the Stanza of the Incendio del Borgo at the Vatican. Raphael’s early style closely mimics Perugino, but Raphael soon surpassed his master. Perugino was an early adopter of oil painting and found success working for Pope Sixtus IV to paint the walls of the Sistine Chapel. In Raphael’s case, this meant moving to the town of Perugia and working for one of the foremost masters of the early Renaissance-Pietro Perugino. Instead, he followed the standard path of artists at the time and became an assistant in an established workshop. (Photo: Wikimedia Commons ) A master of the Early Renaissance was his teacherīy the time he was 17, Raphael was already considered a fully trained artist, but he wasn’t yet ready to start his own practice. Raphael was likely too young to have picked up much of his artistic practice from his father, but he certainly gained a great appreciation for the arts and humanism from an early age. This left him an orphan, as his mother had passed when he was only eight years old. Santi painted altarpieces and portraits for the court of Urbino, but died when Raphael was 11 years old. As such, Raphael most likely spent his formative years in contact with the court. His father, Giovanni Santi, was a court painter in Raphael’s hometown. Though Montefeltro would die before Raphael’s birth, his heir Guidobaldo da Montefeltro and his wife Elisabetta Gonzaga would carry on his legacy throughout Raphael’s youth. ![]() Under his rule, Urbino flourished as a center of culture and learning. This is true of Urbino, Raphael’s hometown, where the mercenary Federico da Montefeltro ruled as duke from 1444 to 1482. But there were many towns across Italy that were also flourishing artistic centers thanks to small courts. Today, when we think of the Italian Renaissance, great centers like Florence and Venice come to mind. ![]() (Photo: Wikimedia Commons ) He grew up surrounded by culture “Portrait of Guidobaldo da Montefeltro” by Raphael. Learn more about the life and art of the Italian Renaissance painter Raphael. Scroll down to learn more about the prolific artist that is Raphael. In fact, his four Stanze, painted for Pope Julius II, are highlights for the millions of people who visit the Vatican in Rome each year. Today, Raphael's work is still appreciated for its balance of line, color, and composition. ![]() In fact, up through the turn of the 20th century, Raphael's popularity far surpassed that of Michelangelo and Leonardo. His art was seen to embody the ideal beauty of the Renaissance and considered something to emulate by future generations. While in Rome he would make a splash, charming his patrons and garnering commissions across the city.Īfter his death in 1520, his reputation only grew over time. He quickly moved from his small town of Urbino to the heart of the Renaissance-Florence-before being summoned to Rome, where he would spend the rest of his life. In his short life, Raffaello Sanzio di Urbino left behind an incredible legacy. ![]()
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